Lecture Programme 2021
26 January
Jonathan Boyd
online lecture only - to watch a recording of this lecture (members only), click here.
I Can’t String a Sentence Together: Jewellery and Words/Words and Jewellery
Jonathan Boyd is a multi-award-winning artist and jeweller working in a variety of materials specialising in conceptual and narrative-led jewellery and objects. He is also the Head of Programme in Jewellery and Metal at the Royal College of Art. For over 10 years Jonathan has explored the two languages of words and jewellery through objects where meaning and form are inseparable. Reflecting these difficult, unusual and hyper-modern times, Jonathan will be presenting via zoom using image, video and virtual montage to best exploit the possibilities presented by a digital format.
23 February
Jack Ogden, presidential address
online lecture only - to watch a recording of this lecture (members only), click here.
The Black Prince’s Ruby: Investigating the Legend
The 170 carat red spinel set in the Imperial State Crown in Britain’s Crown Jewels is known as the ‘Black Prince’s Ruby’ and is one of Britain’s best-known gems. It has been popularly associated with Edward the Prince of Wales — the ‘Black Prince’— who lived in the 1300s. An oft-repeated legend links the gem back to its presentation to the Prince in Spain in 1367 and tells of how Henry V wore it on his crown at the famous Battle of Agincourt in 1415. But how much, if any, of the legend can be verified? And when was this legend first recorded? This talk looks back through renaissance and medieval sources to try to separate fact from fiction. It will question whether we can identify the gem among the confusingly large number of large spinels that reached royal treasuries in the later medieval times, and evaluate its supposed continuous history down through its various owners, including Pedro the Cruel in Spain and Elizabeth I in England.
23 March EGM and AGM followed by
Rui Galopim de Carvalho
Please note that the recording of this lecture will only be made available to Members online when the collection is on public view. The timing of this is unknown at present.
A Preview of the Gemstones at the Portuguese Royal Treasury
After decades of being kept closed in a secret vault, the royal treasures of Portugal, including the crown jewels, personal jewels of the monarchs and other precious items, were properly cleaned by an expert conservation team and all the thousands of gemstones tested. In this talk, you’ll be offered a private gem-related sneak peak of what to expect in the forthcoming permanent exhibition at the new Museu do Tesouro Real - Palácio Nacional da Ajuda, in Lisbon, Portugal.
27 April
Carol Michaelson
Chinese jade jewellery and ornaments from the Neolithic to the Present
lecture postponed from 24 March 2020.
Chinese jade jewellery: A chronological survey. Jade has been prized in China since Neolithic times. In the West diamonds, gold and silver have usually been the most valued materials but, for the Chinese, jade has long been at the top of the hierarchy of the materials they most treasured. Jade working began in China probably over 5,000 years ago in the north-eastern part of what is China today. Over the succeeding millennia both nephrite and jadeite jade have been fashioned into jewellery and amulets, both worn in lifetime and buried with the owner for use and protection in the afterlife. This lecture will look at how this tactile but very tough material has been used over time.
25 May
lecture by Gonçalo de Vasconcelos e Sousa postponed to May 2022
Sash Giles
Jewels of the Devonshire Collection
The Cavendishes have been at Chatsworth since 1549. This lecture will focus on pieces which demonstrate the changes in fortune and taste which have shaped the collection as it is today. The speaker will show pieces made for marriages, worn to coronations and photographed by Cecil Beaton, as well as discuss pieces no longer in the collection and touch on some of the reasons why. She will discuss examples from the 1500’s to the present and introduce pieces associated with Bess of Hardwick, William, 2nd Duke of Devonshire, Richard, 3rd Earl Burlington William, 6thDuke and Duchesses Evelyn, Mary, Deborah and Amanda and explain why Georgiana, Duchess of Devonshire is absent from this list.
22 June
lecture by Karl Schmetzer postponed to June 2022
Mary Cahill
Finding function - the interpretation of gold ornaments from Late Bronze Age Ireland
While gold is an important element of the metalwork of the Early, Middle and Late Bronze Ages in Ireland, the amount remaining from the later period is extraordinary. Most of this gold survives in the form of personal ornaments, many with no known function, at least not one that can be determined from strictly archaeological evidence. This lecture will re-examine the forms these objects take and propose uses for them. It will also suggest that in some cases inspiration came from bronze pieces which were re-interpreted to form distinctive ceremonial objects made of gold, a metal imbued with power and magic derived from the sun.
28 September
Charlotte Gere
Colour in Victorian Jewellery
lecture postponed from 24 November 2020
Although diamonds and pearls remained the choice at court and among the social elite, colour defines fashion and modernity in mid-Victorian jewellery design, through historicism and archaeological revivalism, to Orientalism, the exotic cultures of India, Japan and the Islamic world. In the 1850s, jewellery was in decline. The Middle Ages and English Renaissance offered models that would shape a contemporary idiom and realise the aims of Design Reform. New sources of coloured stones, particularly cabochon garnets, enabled jewels to complement brilliant dye-colours in dress. Revived enamelling techniques further enhanced the colour palette. ‘Pebble’ collecting fed a taste for regional novelties. The Language of Flowers, plant hunting, horticulture and hybridisation encouraged accurate representation of nature in precious materials and coloured gems. Fashion is less important than etiquette or sentiment. Intrinsic value and display denoted taste and culture, success and wealth in a significant new audience for jewellery, the increasingly prosperous middle class. Colour was, however, controversial, and jewellery offers an opportunity to examine Victorian attitudes to one aspect of the discussion.
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2005-2008 |
2000-2004 |
1995-1999 |
1990-1994 |
1985-1989 |
1980-1984 |
1977-1980